Let Us Go Back to the Beginning
Itziar Barrio, Salt Galata, Istanbul, May 23 – September 29, 2024

A Demon that Slips into Your Telescopes while You’re Dead Tired and Blocks the Light, 4K, 54 min, 2020

Let Us Go Back to the Beginning Itziar Barrio, Salt Galata, May 23 – September 29, 2024
ROBOTA MML

The Bank, Concrete and spandex, 40 x 30 x 20 cm, 2024

The Jail, Concrete and spandex, 40 x 30 x 20 cm, 2024

Humo (4k, 7’, 2024) and Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Hydra/Medusa 2024, 5 x 4 m, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes, and data  

The Job, Concrete and spandex40 x 30 x 20 cm, 2024

Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Visible Light Extremes, Site-specific lighting interventions at multiple sites at Salt Galata, 2024

Hydra/Medusa 2024, 5 x 4 m, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes, and data  

The skin will go limp and sore like a stinging heat, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, LED lights, electrical pipes and ROBOTA MML film smoke related appearances related data, 2024, 110 x 50 x 50 cm

The skin will go limp and sore like a stinging heat

The skin will go limp and sore like a stinging heat

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

Particle Matter, In collaboration with Seth Cluett. 2021, 4K, 13'24" 

ROBOTA MMML at Particles and Digital Serfs. NEW INC, New Museum and Onassis ONX, NYC, March 2024
Itziar Barrio & Janet Biggs. Curated by Jane Ursulla Harris

ROBOTA MMML at Particles and Digital Serfs. NEW INC, New Museum and Onassis ONX, March 2024
Itziar Barrio & Janet Biggs. Curated by Jane Ursulla Harris

Cosmos Cinema. 14th SHANGHAI BIENNALE, Nov 2023 - Oct 2024
Curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham.

Cosmos Cinema. 14th SHANGHAI BIENNALE, Nov 2023 - Oct 2024
Curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham.

ROBOTA MML at CLIMATE FITNESS. Rituals of adaptability, June 2023 - June 2024
Intermediae. Matadero MADRID

Itziar Barrio: did not feel low, was sleeping
Installation view. Smack Mellon, NYC, 2023
Photos by Etienne Frossard

Bodybuilder, 2023, 4K video on a monitor on a Squat Rack Stand, concrete, brass rubber, spandex, paint and epoxymonitor on a Squat Rack Stand

Weights I, 2023, Concrete, brass, rubber, spandex, paint and epoxy, 60 x 38 x 38 cm (23 5/8 x 15 x 15 in)

Dirty feet II, 2023, Concrete, metal and bronze, 16 x 57 x 18 cm (6 1/4 x 22 1/2 x 7 1/8 in)

through the night, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, led lights, electrical pipes and Laura Forlano's insulin pump alert data, 60 x 130 x 80 cm (23 5/8 x 51 1/8 x 31 1/2 in)

Laying your eyes on me, 2023, Concrete, metal and used spandex leather pants, 34 x 25 x 25 cm (13 3/8 x 9 7/8 x 9 7/8 in)

did not feel low, was sleeping

Installation view. Smack Mellon, NYC

March 11-April 23, 2023

Lujos, 2023, Concrete, chicken wire, tube, epoxy and used necklaces, 48 x 30 x 18 cm (18 7/8 x 11 3/4 x 7 1/8 in)

Fuente, 2023, Concrete, rubber, metal, epoxy and used spandex leather pants, 30 x 23 x 23 cm (11 3/4 x 9 x 9 in)

was on low, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor, custom circuit board, led lights, electrical pipes and Laura Forlano's insulin pump alert data, 125 x 60 x 63 cm
(49 1/4 x 23 5/8 x 24 3/4 in)

While driving to vacation, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, pumps, tubes and custom circuit board. Variable dimensions

Calibrate now, 2023, Concrete, spandex, lighting filters, hardware, epoxy resin, Arduino, motor,
custom circuit board, led lights, electrical
pipes and Laura Forlano’s insulin pump
alert data. Variable dimensions

Hydra stairs, Summer 2022, 2023, Photograph on aluminum, 90 x 67 cm (35 3/8 x 26 3/8 in)

Artefact I, 2023, Custom circuit board, concrete, epoxy and Laura Forlano's text, 34 x 34 x 7.5 cm
(13 3/8 x 13 3/8 x 3 in)

Those pants, 2023, Concrete, used spandex leather pants, 42 x 23 x 8 cm (16 1/2 x 9 x 3 1/8 in)

Artefact II, 2023, Custom circuit board, concrete, epoxy and Laura Forlano's text, 34 x 34 x 7.5 cm
(13 3/8 x 13 3/8 x 3 in)

Itziar Barrio: and Dan and (when some small metal is spun)
La MaMa Galleria, NYC, 2023
Photos by Etienne Frossard

and Dan and (when some small metal is spun), 2022, 4K video, 15 min 25 sec

and Dan and (when some small metal is spun). Installation view. La MaMa Galleria, NYC, 2023

The reader own emotional body of the text, 2023, used painters plastic, metal bars, Led neon lights and Led light synched with sound. Variable dimensions 

and Dan and (when some small metal is spun). Installation view. La MaMa Galleria, NYC, 2023

The reader own emotional body of the text, 2023, used painters plastic, metal bars, Led neon lights and Led light synched with sound. Variable dimensions 

Shower Curtain II, 2023, Used vinyl shower curtain, found stretcher, spray paint, epoxy, concrete dust and neon led light, 20.3 x 30.3 inches

Shower Curtain I (The dragon will fire at any moment that the body is not in a crisis), 2023, Used vinyl shower curtain, found stretcher, spray paint, epoxy and concrete ink dust, 26.3 x 26.3 inches

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE)
Installation view at PARTICIPANT INC, NYC. 2022
PhotoS: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York.

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. 30 x 36 x 75 inches

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. (DEATIL).30 x 36 x 75 inches

Untitled (JEFF 7), 2022 Latex, Metallic structure (IKEA JEFF Chair) and cement. (DEATIL).30 x 36 x 75 inches

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Brazaletes, C-Print, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

The repetition of things they do make meaning, 2022, Participant Inc, New York. Photo: Daniel Kukla

Itziar Barrio, Minerva plegada en cañería IV, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, It’s all whatever we want it to be, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Putting it into our bodies, 2022. Participant Inc, New York. Photo: Daniel Kukla. 

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Untitled (JEFF 6), 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, Plegada, 2022. Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Archival exhibition and web project curated by Elizaveta Alexandrovna Shneyderman. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Itziar Barrio, THE PERILS OF OBEDIENCE (PREMIERE), 2022. Installation view at Participant Inc, New York. Photo: Daniel Kukla.

Untitled 1 and Untitled 2, 2022

Silkscreen and spraypraint on paper

35 x 23 inches

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex. 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex (DETAIL). 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería III. Concrete, used plumbing pipe, paint, wax and latex. 126 x 25 x 30 cm, 2019.

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex (DETAIL). 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería I. Concrete, clay, used plumbing pipe, paint, chains, used rubber and latex (DETAIL). 126 x 125 x 40 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex. 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería II. Concrete, clay, used plumbing pipe, paint, and latex (DETAIL). 126 x 50 x 30 cm. 2019.

Minerva plegada en cañería III. Concrete, used plumbing pipe, paint, wax and latex (DETAIL). 126 x 25 x 30 cm, 2019.

BY ALL MEANS (Survey exhibition) curated by Johanna Burton (Director of The Museum of Contemporary Art (MOCA) in Los Angeles and former curator at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

Pickpocket II. Inkjet,Silkscreen on plexiglass, concrete,latex and hooks. 226 x 180 x25 cm. 2018

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Mirroring Basic Insticnt.2 Channel HD Video Sound, 1' 50", 2018. BY ALL MEANS curated by Johanna Burton

Mirroring Basic Instinct. 2 Channel HD Video Sound, 1' 50", 2018. BY ALL MEANS curated by Johanna Burton

Script (Monologue Basic Instinct). Inkjet on paper. 2018. 70 x 50 cm. Photo @MaiteArberas

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BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

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NOTHING TO BE SCARED OF. THEY ARE CRAZY ABOUT EACH OTHER (LIGHTLY BRACING). 2018
Latex, 13 metallic structures (Ikea JEFF chair), cement and paint
119,3 x 99 x 99 cm (each)

NOTHING TO BE SCARED OF. THEY ARE CRAZY ABOUT EACH OTHER (LIGHTLY BRACING). 2018
Latex, 13 metallic structures (Ikea JEFF chair), cement and paint
119,3 x 99 x 99 cm (each)

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BY ALL MEANS, curated by Johanna Burton (Keith Haring Director and Curator of Education and Public Engagement at the New Museum), Azkuna Zentroa, Bilbao, Feb 15 - May 6, 2018

UNTITLED (JEFF 3). 2018
Latex, Metallic structure (IKEA JEFF Chair) and cement
100 x 100 x 70 cm

UNTITLED (JEFF 4). 2018
Latex, Metallic structure (IKEA JEFF Chair) and cement
100 x 100 x 70 cm

Itziar10_2.jpg
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“A” on top of “I will”. Cement and silkscreen on latex. 12 x 5 x 5 inches. 2016

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All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

All of Us Want to Work Less. Naves MATADERO. 2019

THE PERILS OF OBEDIENCE. Solo Exhibition. MUSEO DEL BANCO DE LA REPÚBLICA. Bogotá, Colombia. 2017

TOUCH (Variation III)

Silkscreen,transfer and latex on paper

57 x 38 cm

2017

EURYTHMICS

Silkscreen on paper

57 x 38 cm

2017

THE PERILS OF OBEDIENCE. Solo Exhibition. MUSEO DEL BANCO DE LA REPÚBLICA. Bogotá, Colombia. 2017

TOUCH series

Silkscreen,transfer and latex on paper

57 x 38 cm (each)

2017

TOUCH (Annie). Latex, silkscreen on plexiglass, silkscreen on latex, maple, plywood and hooks. 43.4 x 35.4 x 15.7 inches. 2016

THE PERILS OF OBEDIENCE. Installation view. PARTICIPANT INC. NYC 2016

“A” on top of “I will”. Cement and silkscreen on latex. 12 x 5 x 5 inches. 2016

Pickpocket (Detail). Inkjet, archival Inkjet, walnut frame and hook. 89 x 71 x 10 inches. 2016

Pickpocket. Inkjet, archival Inkjet, walnut frame and hook. 89 x 71 x 10 inches. 2016

Effort (Detail). Silkscreen on latex, cement, plywood, DMF and hook. 35.4 x 23.6 x 11.8 inches. 2016

Nothing to be scared of. They are crazy about each other. Latex, metallic structures (Ikea JEFF chair), cement and paint. 47 x 39 x 39 inches. 2016

TOUCH (Annie). Latex, silkscreen on plexiglass, silkscreen on latex, maple, plywood and hooks. 43.4 x 35.4 x 15.7 inches. 2016

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TOUCH. Silkscreen on latex and concrete. 36 x 18 inches. Edition of 8 + 2 AP. 2016

Effort (Detail). Silkscreen on latex, cement, plywood, DMF and hook. 35.4 x 23.6 x 11.8 inches. 2016

All of us want to work less
Cement and latex
11 x 8 x 4 in.
2014

YO SIEMPRE PUEDO (diptych)
Silkscreen on latex, metallic structure (Ikea JEFF Chair), paint and cement
47 x 39 x 39 in.
2014

Untitled
Cement and latex
10 x 5 x 5 in
2014

THE MUSIC YOU WANT ME TO HEAR

Untitled (JEFF 2)
2014

Because society tells me (as Tarantino said)
2014
Silkscreen on latex 27 x 35 inches

I do not have to prove you anything
2011
C-Print
39.4 x 27.5 inches

Untitled ("The card players" by Caravaggio)
C-Print
39.4 x 27.5 inches
2011

SWEET DREAMS
AlhondigaBibao
2011

AT THE BACK, BEHIND THE PARADE
Artium Museum
2011

AT THE BACK, BEHIND THE PARADE

LO MISMO, LO OTRO
Banners
196 x 160 x 118
2011

I'm a writer
Silkscreen on latex
79 x 19 in.
2014

I use people for what I write
El Museo de Los Sures and the International Studio & Curatorial Program (ISCP)
2014

THE MUSIC YOU WANT ME TO HEAR
adhoc Gallery, Spain
2014

Untitled (JEFF 1)
2014
Latex, Metallic structure (IKEA JEFF Chair) and cement
47 x 39 x 39 inches

Because society tells me (as Tarantino said)
Silkscreen on latex
27 x 35 inches
2014

Untitled (JEFF 1)
Latex, Metallic structure (IKEA JEFF Chair) and cement
47 x 39 x 39 inches
2014

WE COULD HAVE HAD IT ALL
La Taller Gallery
2013

WE COULDHAVE HAD IT ALL
2013

WE COULD HAVE HAD IT ALL
La Taller Gallery
2013

KRYPTONITE
Installation
Cervantes Institute, NYC
2011

Untitled (Detail)
Wood, paint and laser cut vinyl
24 x 15.7 inches
2011

The consequences are clear
Banner, Wood and video on LCD screen
Variable dimensions
2009

LO MISMO, LO OTRO (Detail)
Banners
196 x 160 x 118
2011

Untitled
Banner
44 x 35 inches
2011

KRYPTONITE
Installation
Cervantes Institute, NYC
2011

Untitled (Detail)
Wood, paint and laser cut vinyl
24 x 15.7 inches
2011

The consequences are clear (Detail)
2009

WELCOME TO THE NEW PARADISE
White Box, NY
2009

WELCOME TO THE NEW PARADISE
Sala Rekalde, Bilbao
Installation
2009

PINK CAR CRASH
Publication
Fly by NIght Press
NYC
2008

Everything else gives me problems
Banner and wood
43 x 26 x 26 inches
2009

Untitled (Dyptich)
C-Print
39.4 x 27.5 inches (each)
2010